Music Production and Mixing Tips & Tricks

What makes a pro recording expert? What's the "noise" the pros get and how do you make your recordings sound more professional?

The easy answer is - there's no simple answer. However, with careful listening and a bit of experience you'll be able to create exceptional results with little equipment.

Good mixing begins ear

The first and most important thing of gear is - who knows? Anyone? It's your ears! Sorry to tell you that, but listening to ten hours of Rave at 110dB will do nothing for them and you may as well give your mixture to a turtle as attempt to mix with ears that are straightened.

Listen to commercial recordings of mixes you enjoy, analyse them listen for the effects and get to know what represents the sort of noise you are after.

Mixing secrets

There is no hidden secret to getting a fantastic sound, but when we had to sum up the secret of mixing two words it would be this - EQ and compression. Okay that's three words.

Production Sound Mixer London are probably the two main tools used by specialist manufacturers. However, like any tools, if you don't know how to use them you'll be carving Habitat tables instead of Chippendale chairs.

That is where your ears and experience come in. Here we've assembled some production ideas, suggestions, tips and suggestions but they could just be guidelines and have to be adapted to match your material. There are no presets you can switch into make a bad recording sound good. And when your initial substance was badly recorded not even Abbey Road could salvage your mix. But follow these suggestions and find out just how much your mixtures improve.

Get the degree right

You can not push the amounts when recording sensibly as possible when recording to tape but you still wish to have as much sign into the system as you can. This usually means watching the levels very carefully for cutting, and recording at an even and constant level.

Some recording software enables you to monitor and set the input from within.


Your ears are only as good as the tracks they listen to. 

Oddly enough, you don't necessarily need the most expensive Mic. You are able to spend a wad onto a large diaphragm capacitor Mic (yes, they're good for vocals) in case you've got the lolly but test out lively Mics that are a lot more affordable and may be turned to several tasks.

Mixing MIDI and audio

Among the great things about computer-based recording is the parts can so readily be altered, processed and edited. It's also really simple to combine MIDI and audio tracks and lots of musicians use a combination of sample loops, MIDI parts and audio recording.

Audio recordings are usually guitar and acoustic instruments like the sax and vocals. Incidentally, the best method to record guitars is by sticking a Mic facing its speakers. You're able to DI them and process them later and this may be cleaner but to get a pure guitar sound that a Miced amp is difficult to beat.

It's not essential to record drums live and, in reality, it's difficult to perform and keep a modern sound. The quality of the gear which makes drum sounds these days is that anybody that has a fantastic riff can seem like a professional.
11.05.2018 20:06:41

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